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人群中的脸Faces in the Crowd书籍详细信息
- ISBN：9788876240690
- 作者：暂无作者
- 出版社：暂无出版社
- 出版时间：2005-05
- 页数：384
- 价格：431.20
- 纸张：铜版纸
- 装帧：平装
- 开本：16开
- 语言：未知
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- TAG：暂无
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内容简介：
"The apparition of these faces in the crowd;petals on a wet, black bough."Ezra Pound’s celebrated haiku gives a powerful evocation of the individual immersed within the crowd, of a moment of stillness in the bustle of the modern metropolis. It has provided the title for an exhibition that explores the condition of modernity through figurative art. Taking Edouard Manet as its starting point and moving through the work of major painters and sculptors such as Ensor,Boccioni, Duchamp, Kollwitz, Kirchner,Beckmann, Magritte, Picasso, Hopper,Warhol Hamilton, Pistoletto, Richter,Acconci, Sherman, SchEitte, Ofili and Kentridge, as well as photographers such as Atget, BrassaY, Evans, Levitt, Arnold,Weegee, GiacomeUi, Goldin and Ke/ta, Faces in the Crowd traces a history of avant-garde figuration from the 1870s to today through the works of one hundred artists. The great revolutions in twentieth century art tend to be associated with abstraction. Yet there is a paraUel history, which is equally radical Manet’s vividly realist scenarios or Jeff Wa/Vs cinematic tableaux offer a compelling pictorial illusion of the modern.By contrast, Edvard Munch or Francis Bacon present a tortured or exhilarated inner life.For Alexandr Rodchenko, the figure can be an agent of social change, revolutionary,transgressive or symbolic. This catalogue accompanies the exhibition organised by the Whitechapel Gallery and the Castello di Rivoli Museum of Contemporary Art. With new essays by Iwona Blazwick and Carolyn
Christov-Bakargiev, curators, as well as by Ester Coen, Chartes Harrison, and Jill Lloyd, this catalogue includes an anthology of quotes and writings by authors including Baudelaire, Poe, Benjamin, Le Bon, Simmel,Freud, Adorno, Canetti, Arendt, Walt and Buck-Morss.
书籍目录：
Faces in the Crowd Iwona Btazwick VoZti nella folla
Radical Visions of Modern Lee Carolyn Christov-Bakargiev visioni radicaU della vita modema
we will Sing of Greot Crowds Ester Coen Canteremo le grandi.folle
Looking Out, Looking In Charles Harrison Sguardi da dentro, sguardi da fuofi
ndividuals in Threat of Extinction Jill LLoyd Individui a nschio d’estinzione
A Note on Manet’s Masked Ball at the Opera Jeft Wall Nota sul Ba[[o in maschera all’Onera di klnnpt :
Ezra Pound
Virqinia Wootf
edouard Manet
Linda NochLin
Henri de TouLouse-Lautrec
Edvard Munch
3ames Ensor
Eugene ALger
Edgar ALLan Poe
Charles BaudeLaire
Walter Benjamin
T. J. CLark
Paul Vatery
FiLippo Tommaso Marinetti
Gustave Le Bon
Georg SimmeL
Henri Bergson
WaLter Sickert
Kathe KoLLwitz
Umberto Boccioni
CarLo Carr&Pablo Picasso
Ernst Ludwig Kirchner
George Grosz
Marcel Duchamp
Man Raiy
David Bomberg
Fernand Leger
Edward Hopper
ALexandr Rodchenko
Gyorgy Lukacs
Gustav Klucis
Tina Modotti
Charles SheeLer & Paul Strand
Dziga Vertoy
Georst Sange Bellows
Jack Butler Yeats
August Sander
Roland Barthes
Claude Cahun
Max Beckmann
John Heartfield
Walker Evans
John Roberts
Helen Levitt
Robert Capa
Henri Cartier-Bresson
Weegee
Eve Arnold
Rene Burri
Garry Wompgramd
Rene Magritte
Francis Bacon
Alberto Giacometti
Eduardo Paolozzi
Jean Dubuffet
Andy Warhol Michelangelo Pistoletto
Richard Hamition
……
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书籍介绍
“The apparition of these faces in the crowd; petals on a wet, black bough.” ― Ezra Pound
Pound’s celebrated haiku powerfully evokes the situation of the individual in the metropolis: personalities suspended in a moment within the life of the city. The Whitechapel Gallery, London and Castello di Rivoli in Turin, Italy organized Faces in the Crowd as an exploration of this condition of modernity seen in realist art, especially art of the human face and form. The exhibition and its catalog trace a history of avant-garde figuration from a new perspective.
Taking Manet’s The Masked Ball at the Opera as its starting point, the book focuses on his contemporaries such as Degas and then moves through the twentieth century to artists of today. Some artworks represent a dramatic rupture with the past proposing radical and innovative modern forms and structures. Others picture modern life or its impact on our inner selves. Others consider art as an agent for further social change. All the works include critical and bibliographical entries, plus a selection of extracts from historical documents and artists writings from the 19th-century to today. Taken together this art fully illuminates its theme in which representations of the human figure are seen as expressions of modernity.
Exhibition schedule:
The Whitechapel Art Gallery, London
December 3, 2004 — February 28, 2005
Castello di Rivoli, Turin
April 4, 2005 — July 10, 2005
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