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Moon Over Manifest 阿比琳的夏天(2011年纽伯瑞金奖小说) ISBN 9780375858291书籍详细信息
- ISBN:9780375858291
- 作者:暂无作者
- 出版社:暂无出版社
- 出版时间:2012-04
- 页数:368
- 价格:35.80
- 纸张:胶版纸
- 装帧:平装
- 开本:大32开
- 语言:未知
- 丛书:暂无丛书
- TAG:暂无
- 豆瓣评分:暂无豆瓣评分
内容简介:
《阿比琳的夏天》讲述了一个在夏天里等待爸爸的小女孩,与一个改变小镇命运的好故事之间的奇遇。这个夏天,阿比琳独自到爸爸的故乡小镇去过暑假。在放假前的后一堂课上,古怪的修女老师给她布置了一份特殊的暑假作业。同时,阿比琳在寄居的酒鬼牧师家,偶然发现了一个装着旧信件和纪念品的神秘香烟盒,信中提到了一个代号为响尾蛇的“间谍”。为了完成作业,抓到间谍,也为了了解爸爸闭口不谈的过去,阿比琳与年少老成的露西安、想象力极其丰富的莱蒂,在镇上开始了一系列令人啼笑皆非的打探。而所有谜团的答案、打开记忆之门的那把钥匙,就握在占卜女王、吉卜赛女人萨蒂的手中……作者克莱尔·范德普尔在这部纽伯瑞大奖处女作中,倾注了自己无限的深情,通过优美的语言、充满个性的人物塑造和细腻的环境描写,完成了这样一个血肉丰满、感人至深的好故事。也许“好地方从来不上地图”,但一个好故事必定会在读者的心中自动寻到永久的位置。
The movement of the train rocked me like a lullaby. I closed my
eyes to the dusty countryside and imagined the sign I’d seen only
in Gideon’s stories: Manifest—A Town with a rich past and a bright
future.
Abilene Tucker feels abandoned. Her father has put her on a
train, sending her off to live with an old friend for the summer
while he works a railroad job. Armed only with a few possessions
and her list of universals, Abilene jumps off the train in
Manifest, Kansas, aiming to learn about the boy her father once
was.
Having heard stories about Manifest, Abilene is disappointed to
find that it’s just a dried-up, worn-out old town. But her
disappointment quickly turns to excitement when she discovers a
hidden cigar box full of mementos, including some old letters that
mention a spy known as the Rattler. These mysterious letters send
Abilene and her new friends, Lettie and Ruthanne, on an
honest-to-goodness spy hunt, even though they are warned to “Leave
Well Enough Alone.”
Abilene throws all caution aside when she heads down the mysterious
Path to Perdition to pay a debt to the reclusive Miss Sadie, a
diviner who only tells stories from the past. It seems that
Manifest’s history is full of colorful and shadowy characters—and
long-held secrets. The more Abilene hears, the more determined she
is to learn just what role her father played in that history. And
as Manifest’s secrets are laid bare one by one, Abilene begins to
weave her own story into the fabric of the town.
Powerful in its simplicity and rich in historical detail, Clare
Vanderpool’s debut is a gripping story of loss and redemption.
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作者介绍:
Moon Over Manifest, Clare Vanderpool’s first novel, is set in
the fictional small town of Manifest, Kansas, which is based on the
real southeastern Kansas town of Frontenac, home of both of her
maternal grandparents. Drawing on stories she heard as a child,
along with research in town newspapers, yearbooks, and graveyards,
Clare found a rich and colorful history for her story. Clare lives
in Wichita, Kansas, with her husband and their four children.
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书籍摘录:
Santa Fe Railway
Southeast Kansas
MAY 27, 1936
The movement of the train rocked me like a lullaby. I closed my
eyes to the dusty countryside and imagined the sign I knew only
from stories. The one just outside of town with big blue letters:
manifest: a town with a rich past and a bright
future.
I thought about my daddy, Gideon Tucker. He does his best
talking in stories, but in recent weeks, those had become few and
far between. So on the occasion when he'd say to me, "Abilene, did
I ever tell you 'bout the time . . . ?" I'd get all quiet and
listen real hard. Mostly he'd tell stories about Manifest, the town
where he'd lived once upon a time. His words drew
pictures of brightly painted storefronts and bustling townsfolk.
Hearing Gideon tell about it was like sucking on butterscotch.
Smooth and sweet. And when he'd go back to not saying much, I'd try
recalling what it tasted like. Maybe that was how I found comfort
just then, even with him being so far away. By remembering the
flavor of his words. But mostly, I could taste the sadness in his
voice when he told me I couldn't stay with him for the summer while
he worked a railroad job back in Iowa. Something had changed in
him. It started the day I got a cut on my knee. It got bad and I
got real sick with infection. The doctors said I was lucky to come
out of it. But it was like Gideon had gotten a wound in him too.
Only he didn't come out of it. Andit was painful enough to make him
send me away. I reached into my satchel for the flour
sack that held my few special things. A blue dress, two shiny dimes
I'd earned collecting pop bottles, a letter from Gideon telling
folks that I would be received by Pastor Howard at the Manifest
depot, and my most special something, kept in a box lined with an
old 1917 Manifest Herald newspaper: my daddy's
compass.
In a gold case, it wore like a pocket watch, but inside was a
compass showing every direction. Only problem was, a working
compass always points north. This one, the arrow dangled and
jiggled every which way. It wasn't even that old. It had the
compass maker's name and the date it was made on the inside. St.
Dizier, October 8, 1918. Gideon had always planned to get it fixed,
but when I was leaving, he said he didn't need it anyway, what with
train tracks to guide him. Still, I liked imagining that the chain
of that broken compass was long enough to stretch all the way back
into his pocket, with him at one end and me at the
other.
Smoothing out the yellowed newspaper for the thousandth time, I
scanned the page, hoping to find some bit of news about or insight
into my daddy. But there was only the same old "Hogs and Cattle"
report on one side and a "Hattie Mae's News Auxiliary: Charter
Edition" on the other, plus a couple of advertisements for Liberty
Bonds and Billy Bump's Hair Tonic. I didn't know anything about
Hattie Mae Harper, except what she wrote in her article, but I
figured her newspaper column had protected Gideon's compass for
some time, and for that I felt a sense of gratitude. I carefully
placed the newspaper back in the box and stored the box in the
satchel, but held on to the compass. I guess I just needed to hold
on to something.
The conductor came into the car. "Manifest, next
stop."
The seven-forty-five evening train was going to be right on
time. Conductors only gave a few minutes' notice, so I had to
hurry. I shoved the compass into a side pocket of the satchel, then
made my way to the back of the last car. Being a paying customer
this time, with a full-fledged ticket, I didn't have to jump off,
and I knew that the preacher would be waiting for me. But as anyone
worth his salt knows, it's best to get a look at a place before it
gets a look at you. I'd worn my overalls just for the occasion.
Besides, it wouldn't be dark for another hour, so I'd have time to
find my way around.
At the last car, I waited, listening the way I'd been
taught--wait till the clack of the train wheels slows to the rhythm
of your heartbeat. The trouble is my heart speeds up when I'm
looking at the ground rushing by. Finally, I saw a grassy spot and
jumped. The ground came quick and hard, but I landed and rolled as
the train lumbered on without a thank-you or goodbye.
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媒体评论
Starred review, BOOKLIST, October 15, 2010:
After a life of riding the rails with her father, 12-year-old
Abilene can’t understand why he has sent her away to stay with
Pastor Shady Howard in Manifest, Missouri, a town he left years
earlier; but over the summer she pieces together his story. In
1936, Manifest is a town worn down by sadness, drought, and the
Depression, but it is more welcoming to newcomers than it was in
1918, when it was a conglomeration of
coal-mining immigrants who were kept apart by habit, company
practice, and prejudice. Abilene quickly finds friends and uncovers
a local mystery. Their summerlong “spy hunt” reveals deep-seated
secrets and helps restore residents’ faith in the bright future
once promised on the town’s sign. Abilene’s first-person narrative
is intertwined with newspaper columns from 1917 to 1918 and stories
told by a diviner, Miss Sadie, while letters home from a soldier
fighting in WWI add yet another narrative layer. Vanderpool weaves
humor and sorrow into a complex tale involving murders, orphans,
bootlegging, and a mother in hiding. With believable dialogue,
vocabulary and imagery appropriate to time and place, and
welldeveloped characters, this rich and rewarding first novel is
“like sucking on a butterscotch. Smooth and sweet.”
Starred review, KIRKUS REVIEWS, September 15, 2010:
“Readers will cherish every word up to the heartbreaking yet
hopeful
and deeply gratifying ending.”
Starred review, PUBLISHERS WEEKLY, September 27, 2010:
"Replete with historical details and surprises, Vanderpool's debut
delights,
while giving insight into family and community.”
Review, THE BULLETIN OF THE CENTER FOR CHILDREN'S BOOKS,
November 2010:
"Ingeniously plotted and gracefully told."
书籍介绍
Winner of the 2011 Newbery Award. The movement of the train rocked me like a lullaby. I closed my eyes to the dusty countryside and imagined the sign I'd seen only in Gideon's stories: Manifest--A Town with a rich past and a bright future. Abilene Tucker feels abandoned. Her father has put her on a train, sending her off to live with an old friend for the summer while he works a railroad job. Armed only with a few possessions and her list of universals, Abilene jumps off the train in Manifest, Kansas, aiming to learn about the boy her father once was. Having heard stories about Manifest, Abilene is disappointed to find that it's just a dried-up, worn-out old town. But her disappointment quickly turns to excitement when she discovers a hidden cigar box full of mementos, including some old letters that mention a spy known as the Rattler. These mysterious letters send Abilene and her new friends, Lettie and Ruthanne, on an honest-to-goodness spy hunt, even though they are warned to "Leave Well Enough Alone." Abilene throws all caution aside when she heads down the mysterious Path to Perdition to pay a debt to the reclusive Miss Sadie, a diviner who only tells stories from the past. It seems that Manifest's history is full of colorful and shadowy characters--and long-held secrets. The more Abilene hears, the more determined she is to learn just what role her father played in that history. And as Manifest's secrets are laid bare one by one, Abilene begins to weave her own story into the fabric of the town. Powerful in its simplicity and rich in historical detail, Clare Vanderpool's debut is a gripping story of loss and redemption. "From the Hardcover edition."
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